Elysia alpha compressor Manuel d'utilisateur Page 22
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Noté. / 5. Basé sur avis des utilisateurs
22
18
1,5
3,0
5,0
12
16
20
1,0
2,0
4,0
6,0
8,5
9,5
11
14
7,5
1,0
1,5
2,0
16
18
20
3,0
4,0
5,0
6,0
7,5
8,5
9,5
11
12
14
Soft Clip
Gain Reduction
M/S Mode Active
Channel Link
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
SC Freq
Hz
30
40
50
80
280 340
430
2k0
3k3
EQ Gain
Lo
2,7
2,2
1,6
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto Fast
Feed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
EQ Gain
Lo
2,7
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto Fast
Feed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
SC Freq
Hz
30
40
50
80
280 340
430
2k0
3k3
500
800
18
1,5
3,0
5,0
12
16
20
1,0
2,0
4,0
6,0
8,5
9,5
11
14
7,5
1,0
1,5
2,0
16
18
20
3,0
4,0
5,0
6,0
7,5
8,5
9,5
11
12
14
Soft Clip
Gain Reduction
M/S Mode Active Channel Link
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
SC Freq
Hz
30
40
50
80
280 340
430
2k0
3k3
EQ Gain
Lo
2,7
2,2
1,6
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto Fast
Feed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
EQ Gain
Lo
2,7
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Auto Fast
Feed Forward
On
Auto Fast
x10
On
Transformer
Direct
Compressed
On
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
SC Freq
Hz
30
40
50
80
280 340
430
2k0
3k3
500
800
SCENARIOS – M/S Leveling & Groove Compression
M/S Leveling
As with Upward Leveling, long attack times are the secret of M/S Leveling. Here the compressor re-
acts primarily to the complete signal energy and less to single rhythmic accents. If this principle is
now used on the side and the middle channel separately, a stereo mix will become more compact
in an unobtrusive way and everything will sound a little more vivid. This method is especially inter-
esting to enhance rock and pop tracks in a discreet but eective way. Here the feed forward mode
is active again. The ratio is set at about 1:1.5 and the gain controller at about 3 dB. The threshold is
adapted to a value that results in approx. 3-4 dB.
Groove Compression
Sometimes it would be great to be able to just emphasize the rhythmical elements of a mix in
order to bring out the groove with the aim of giving the track the right kick. The gure shows how
the alpha compressor can help you to cope with this challenge. The bass drum is used as a trigger
for the compressor; therefore the sidechain lter is of special importance in this application. It is
set to low pass, with a center frequency of approx. 70 Hz. Now the threshold and ratio controllers
are used to set the intensity of the gain reduction, and the groove will be controlled by the release
parameter, which has merely to be adapted to the speed of the track. Depending on the song and
the style of music, the gain reduction can be higher by all means; usually 5-6 dB will do very good.
The linked M/S mode makes sense in this application, because the inuence of the bass drum on
the control process is enhanced as well as the resulting sonic eect.
SCENARIOS
- Dear friend of audio culture 4
- BASICS – Controls 6
- BASICS – Connnectors 8
- BASICS – Getting Started 9
- M/S Mode Active Channel Link 10
- BASICS – Link Mode 11
- BASICS – Stereo Compression 12
- BASICS – Auto Fast 13
- Feed Forward 14
- Transformer 14
- BASICS – M/S Matrix 15
- BASICS – Sidechain Filter 16
- BASICS – Audio Filter 17
- BASICS – Mix Controller 18
- BASICS – Soft Clip Limiter 19
- Stereo Linked 20
- M/S Linked 20
- SCENARIOS 20
- M/S Unlinked 21
- Upward Leveling 21
- M/S Leveling 22
- Groove Compression 22
- Vocal Down 23
- DeEssing 23
- Parallel Compression 24
- Stereo Enhancer 24
- LoFi Compression 25
- Extreme Settings 25
- Threshold Oset 26
- Threshold 26
- REFERENCE 26
- Auto Fast Attack 27
- Auto Fast Release 28
- Ratio Feedback 29
- Ratio Feed Forward 29
- EQ Gain Low 30
- EQ Gain High 30
- EQ Frequency 31
- SC Low Pass 32
- SC High Pass 32
- Soft Clip 33
- APPENDIX – Level Problems 34
- Level Problems 34
- APPENDIX 34
- Technical Data 35
- APPENDIX – Technical Data 35
- APPENDIX – Warranty 36
- „Let there 38
- be sound“ 38
- And there 38
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